Keimai III 2008 Kordyan (Drawing Series) 2005-2006 Elytron 2003
Horos II 2008 Lethe - Drawing River 2005 Narke 2003
Keimai II (Inferno) 2007 Phlegethon-Milczenie II 2005 Ennoia 2003
Liscie 2007 Lete-Przestrzen Rysunku 2005 Ennoia 2002
Schiller-Marginalia 2007 Phlegethon-Milczenie 2005 Drawing with Body/Sound 2002
Urlar 2007 Recent Drawings 2004-2005 Milk Series 2001
Nocturnes 2007 Lethe/Sky 2004 Cracks 2001
Horos 2006-2007 Lethe Room 2004 Pandora's Belly, Ennoia 2000
Anamnesis (Swiatlo Dnia) 2006 Drawing the City 2004 Xerox Project 1999
Phlegethon-Milczenie III 2006 Drawing Barn 2004 Factory of Sound, Piano Project 2000
Leukos Series (Drawings) 2006 White Chalice 2004 Rape of Europa 1999-2005
Fall-Keimai 2005-2006 Limen/Meadow 2004 Abiding (Proba Wody) 1999-2000
Drawings 2005-2006 Room 301 2004 Koiman 1998
Leukos 2005 Achea Rheon 2004-2005 Saint Sebastian from Atlanta 1996-1997
Lethe (Stamford Project) 2005 Drawing Room 2003 Stills from Performance 1996
River of Lamentation 2005 Skulenie, Dwie, Odbicie 2003 Untitled Drawings 1990-1995
Drawing Meadow 2005
 
Drawing Meadow, 2005
Still from video. Outdoor installation and performance: cotton, crayons, paint, water containers, brushes, flowers, leaves, artist's body, children, teens, sound. Courtesy Benefore Home, Purchase, New York.
Drawing Meadow, 2005

A long piece of white cotton was spread on the ground near by a large tree, forming an elongated shape. Crayons, paint, water containers, brushes, flowers and leaves are scattered on the ground. For many hours I lie on the ground wearing white dress. I draw around my body with crayons and brushes. Children gradually join me inside the meadow. They come and go in different intervals of time. Their floating presence corresponds with the changing shadows of the tree's branches, and the appearing and disappearing sunlight. As the light continues to change, the shadows create shapes and lines on the cotton meadow together with the stains of blue and green paint and water, which gradually cover the fabric. My dress and white tee-shirts of the children receive some of the marks and stains. A few minutes after the action is over, heavy rain begins to pour down, floodding the entire area.

During the action I suspended a video camera from the tree. An aerial view of the drawing meadow was filmed as if seen by the tree itself. I edited several hours of the footage into 14-minutes story, focusing on the delicate changes of light, shadow, and human presence and absence, all weaved together like floating waters of a river.

Sound composition includes site-specific recording of the near by water fountain combined with altered voices of children, opera singing, wind, and noises of building machines.
Copyright © 2010 Monika Weiss