Keimai III 2008 Kordyan (Drawing Series) 2005-2006 Elytron 2003
Horos II 2008 Lethe - Drawing River 2005 Narke 2003
Keimai II (Inferno) 2007 Phlegethon-Milczenie II 2005 Ennoia 2003
Liscie 2007 Lete-Przestrzen Rysunku 2005 Ennoia 2002
Schiller-Marginalia 2007 Phlegethon-Milczenie 2005 Drawing with Body/Sound 2002
Urlar 2007 Recent Drawings 2004-2005 Milk Series 2001
Nocturnes 2007 Lethe/Sky 2004 Cracks 2001
Horos 2006-2007 Lethe Room 2004 Pandora's Belly, Ennoia 2000
Anamnesis (Swiatlo Dnia) 2006 Drawing the City 2004 Xerox Project 1999
Phlegethon-Milczenie III 2006 Drawing Barn 2004 Factory of Sound, Piano Project 2000
Leukos Series (Drawings) 2006 White Chalice 2004 Rape of Europa 1999-2005
Fall-Keimai 2005-2006 Limen/Meadow 2004 Abiding (Proba Wody) 1999-2000
Drawings 2005-2006 Room 301 2004 Koiman 1998
Leukos 2005 Achea Rheon 2004-2005 Saint Sebastian from Atlanta 1996-1997
Lethe (Stamford Project) 2005 Drawing Room 2003 Stills from Performance 1996
River of Lamentation 2005 Skulenie, Dwie, Odbicie 2003 Untitled Drawings 1990-1995
Drawing Meadow 2005
 
Skulenie, 2003
Charcoal on potographic backdrop paper, 85 x 105 inches
Collection of Asher Remy-Toledo, New York. Photo: Hermann Feldhaus.


Dwie, 2003
Charcoal on potographic backdrop paper, 75 x 98 inches
Courtesy Galerie Samuel Lallouz, Montreal. Photo: Hermann Feldhaus


Obdicie, 2003
Charcoal on potographic backdrop paper, 75 x 98 inches
Courtesy Lehman College Art Gallery, Bronx, New York. Photo: Hermann Feldhaus

Skulenie, Dwie, Odbicie, 2003

"It is not the literalness of the images which is their most important element but rather the capturing of the atmosphere of an alien world. What provokes nausea and revulsion is placed together with what refers to a distanced, limited, enclosed in back lines horizon of events."

- Marek Gozdziewski, Monika Weiss: Works on Paper, pp.2-4, catalogue text, 1995, Warsaw, Poland


"Weiss makes drawings with her body, leaving a trail or trace of her movements. The charcoal marks speak of the body stretching across the paper. Skulenie and Dwie are two large-scale drawings in a series of representations of her body in curled-up or standing positions, represented in a very darkened, abstracted way, calling to mind an evidence of circularity in the way she works, and revealing the presence of the living body of the artist."

- Pennina Barnett, London, 2003
Copyright © 2010 Monika Weiss