ConcentArt, 2009 Berlin, Germany Kentler International Drawing Space, 2006 Brooklyn, NY
Cisneros Fontanals Art Foundation, 2008-2009 Miami, FL ArteBa, 2006 Buenos Aires, Argentina
Galerie Samuel Lallouz, 2008-2009 Montreal, Canada The Facto Foundation, 2006 Trancoso, Portugal
FrauenMuseum, 2008 Bonn, Germany Kunsthaus Dresden, 2006 Dresden, Germany
Galeria Sztuki Wspolczesnej, 2008 Opole, Poland Galerie Samuel Lallouz, 2006 Montreal, Canada
Instytut Sztuki WYSPA, 2007 Gdansk, Poland Remy Toledo Gallery, 2006 New York, NY
Cornice Art Fair, 2007 Venice, Italy Lehman College Art Gallery, 2005 New York, NY
Galerie Samuel Lallouz, 2007 Montreal, Canada The Lab Gallery, 2005 San Francisco, CA
Hans Weiss New Space Gallery, MCC, 2007 Manchester, CT Remy Toledo Gallery, 2005 New York, NY
North Dakota Museum of Art, 2006-2007 Grand Forks, ND WYSPA Institute of Art, 2005 Gdansk, Poland
Cisneros Fontanals Art Foundation, 2006-2007 Miami, FL Inter-Galerie, 2005 Potsdam (Berlin), Germany
Consulate General of Poland, 2006-2007 New York, NY Hudson Valley Center for Contemporary Art, 2004 Peekskill, NY
Real Art Ways, 2006-2007 Hartford, CT Remy Toledo Gallery, 2004 New York, NY
The Drawing Center/WFC Winter Garden, 2006 New York, NY Chelsea Art Museum, 2004 New York, NY
Kunsthaus Dresden, 2006 Dresden, Germany
 
Expulsion 2009
40 volumes of Goethe's writings published in Germany 1943, ink, water, interactive wall construction, performative action, single channel video, sound composition, self-shot photography. Courtesy ConcentArt, Berlin.
Monika Weiss: Expulsion

Performance, January 9 at 7pm
Installation on view: January 10 - February 4, 2009

Part of the exhibition "Wa[h]re Kunst"
ConcentArt e.V.
Kreuzbergstr. 28
D-10965 Berlin
+49 (0)30 7007 16 45
www.concentart.org

Monika Weiss' "Expulsion" is a site-specific installation composed of open books placed on the ground [selected works by Goethe published in 1943], live performance, sound composition, video projection and an interactive wall [sensors, ink, system of pumps.]

From Wa[h]re Kunst exhibition Press Release:
In his essay on the exhibition, the art historian and philosopher Slavko Kacunko writes: "The exhibition provides a pleasantly pictorial yet also critical variation on a theme that will doubtless continue to engage our attention over the coming years. It does not attempt to bolster the constructability of perception and knowledge with a utilitarian anthropo-centralism, functionalism, or pragmatism. Instead; it takes a stand against the covertly idealistic attempt to disregard the economic and ecological foundations of ideal and material production and reproduction;" Kacunko also takes up the dialectic debate over art as a commodity versus the perfection of "true" art, but without taking issue with the notion of a consume-oriented society and its claim to veracity. "True art and art as a commodity appear linked to one another in a playful alliance full of serious intent, statement and significance and yet still negotiable and calculable, albeit only through the rear-view window." (S. Kacunko) The art association ConcentArt e.V. aims to encourage debate and discussion of the topics engendered through its exhibitions and their bearing on and relevance for social values and concomitant moral issues.

Curated by Georgi Begun.

Participating Artists: Georgi Begun (Germany), Barbara Caveng (Switzerland), Michel Couturier (Belgium), Heiko Daxl (Germany), Alexandra Dementieva (Belgium), Democracia (Spain), Chus Garcia-Fraile (Spain), Sabine Kacunko (Germany), Victor Kegli (Germany), Shahar Markus (Israel), Jung Me (Korea), Eugenio Merino (Spanien), PSJM (Spanien), A. Schulgin, A. Chernyshev (Russia), Monika Weiss (USA)